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   Printed copies of past articles from Picture Framing Magazine are available by calling (732) 536-5160, ext. 512, or by sending a request in writing that includes the title and issue date of the article(s) to our offices at: PFM, Attn: G. Cocuzza, Morganville, NJ 07751 along with a check or money order made payable to Picture Framing Magazine. Articles cost $6 and back issues, if available, are $8. Selected articles are available for free download on the PFM website.

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Gilding

PDF

Title

Issue
A Classic Gold Bevel Aug 03
  Age Before Beauty April 91
  American Heroic Frames Aug 97
  An Alternative to Traditional Water Gilding Aug 93
  Branch Out Into Metal Leafing July/Aug 90
  Budget Restoration
Aug 95
Burnishing the Gilded Surface Aug 04
  Compo Recipes June 95
  Composition Ornaments March 99
  Cracquelure Aug 95
Crushed Gold Gilding Aug 02
  Embellishing the Gilded Surface Aug 94
  Endangered Frames: To Save a Butterfly Aug 95
  Frame Fabrication and Gilding Aug 97
  Frame Repair and Restoration: Part I
Oct 00
  Frame Repair and Restoration: Part II Nov 00
  Frame Repair and Restoration Part III Dec 00
  Frame Repair and Restoration Part IV Jan 01
  Frame Repair and Restoration Part V Feb 01
  Gesso Techniques July/Aug 90
  Gesso Techniques April 93
Gilded Mats Aug 96
  Gilding A Mat July/Aug 90
  Gilders’ Delight
Nov/Dec 90
Gilding and Finishing: A Philosophy Aug 97
Gilding and Finishing: A Philosophy: Part II Sept 97
  Gilding & Frame Restoration Mar/Apr 90
Gilding Basics Aug 00
Gilding Contemporary Frames Oct 97
  Gilding the Lily: A Review of Gold Leafing Techniques Aug 94
  Gold Leaf Terminology July 91
A Grand Gilded Frame
March 01
  Granito: Texture Backgrounds Aug 91
  Granito and Sgrafitto Aug 93
History in the Making: A Gilding Atelier in
Northern France Celebrates 100 Years
June 03
  Installing Compo Ornaments Sept/Oct 90
  Introduction to Elements and Forms of Composition Ornaments Nov/Dec 90
Introduction to Water Gilding: A Brief Review March 97
  Introduction to Water Gilding: Burnishing May 97
  Introduction to Water Gilding: Clay Feb 97
Introduction to Water Gilding: Distressing and Antiquing July 97
  Introduction to Water Gilding: The Final Steps in Building a Patina Sept 97
  Introduction to Water Gilding: Gesso Jan 97
  Introduction to Water Gilding: Laying Leaf
April 97
  Introduction to Water Gilding: Patching and Finishing June 97
  Introduction to Water Gilding: Sealing and Toning Aug 97
  An Introduction to Variegated Leaf April 95
Introductory Sgrafitto
Jan 98
  The Kolner System of Gilding Aug 92
  Laying Leaf in Hard to Reach Places Sept 92
Laying Leaf in Hard to Reach Places Aug 03
  La Reparure (Recutting Gesso) Aug 95
  Leafing & Toning July 91
  Leafing Wood Moulding May 91
  Making Your Own Compo Molds April 94
  Making Gold Leaf Behave Jan 91
  Metal Leafing A Mat Bevel March 92
  Mica Powders Aug 94
Mica Powders: A Tool for Gilders Aug 01
  Mordant Gilding
Aug 92
  Oil Gilding: An Eakins Inspired Frame and Finish Aug 04
  Pastiglia July 91
  Patina: Matte Water Gilding March 91
  Patination with Chemicals Aug 92
  Patinating the Surfaces of Frames Aug 98
Practical Examples of Patination Sept 98
  The Proper Care of Gold Leaf Frames: Part I June 92
  The Proper Care of Gold Leaf Frames: Part II
Aug 92
Quiz: What’s What in Gilding? Aug 01
  The Remaking of a Stanford White Frame Aug 96
  Repair: Restore or Conserve? Aug 96
  Replacing Missing Compo Ornamentation June 91
  Restoring Highlights to Victorian Frames Aug 93
  Sgrafitto: Like a Moth to a Flame Sept 91
  Shellac Finish for Gilded Works July 91
  Thoughts on Gesso Nov 93
  Time, Money, and Rabbit Skin Glue Oct 92
  Toning and Altering July 91
Toning Metallic Finishes July 98
  Toning Metallic Finishes on Frames June 98
  Tradition and Innovation Aug 92
  Types of Wood to Use for Gilding Nov 97
  “Uncle Bob’s” Crackle Gesso Sept/Oct 90
Understanding Gold Leaf Aug 96
  Understanding the Binder in Gesso Aug 97
  Using Compo on Pre-Finished Mouldings April 93
Working with Metal Leaf Aug 00
   



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