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Preservation Practices

PDF

Title

Issue
A Bellows Fit for Photos Aug 96
A Combination of Techniques for Supporting Works on Board March 03
  Active Options for Storage June 94
  Advanced Frame Sealing Oct 94
  Advice on Glass Cleaners Jan 93
Aluminum Options In Preservation
Jan 02
Analyzing Mounting Options Dec 03
  Animal-Based Supports and Media Apr 97
Another Gilded Fillet...The Half Round Dec 01
Anti-Reflective Glass and Acrylic for Preservation Framing May 03
  Appropriate Frame Fitting May 94
  Are Fabrics Acid Free? Feb 93
Basic Testing of Preservation Materials Aug 04
Business Investments and Advantages in Preservation June 04
  Can You Sandwich Art Between Two Sheets of Glass? April 93
Cautions with Relative Humidity
March 01
Cellulose Supports: Part I May 97
Cellulose Supports: Part II June 97
Cellulose Supports March 98
  Choosing Fabrics for Object Framing Jan 99
  Clear Protection (Encapsulation) April 95
  Climatic Challenges
May 99
  Common Conservators’ Terminology Jan 95
  Conservation Photo Mounts Oct 93
Copper Mounts for Objects March 00
  Corner Supports Aug 99
  Corner Supports for Works on Board Sept 99
Creating Oversized Backing Boards June 96
  Cushion Spacers Sept 96
Customer Service in Preservation Sept 00
  Customized Preservation Storage Feb 95
  Deacidification Issues Feb 02
  Defying Gravity: “Float” Mounting Feb 99
Designing the Appropriate Hinge Jan 04
  The Dialogue of Science Sept 97
Digital Condition Reports April 03
Double Glazing for Sealed Packages Sept 01
Double Glazing for Unmatted Works Oct 01
  Drying Storage July 95
  Dust Covers for Metal Frames July 93
Easy To Make Weights July 96
An Evolution of Preservation Jan 00
Evolved Edge Strips Sept 04
Extending A Moulding To Create A Shadow Box March 02
Floating Decisions Oct 97
  A Framing Philosophy
May 96
Framing Potentially Damaging Items with Other Items June 01
  Framing Textiles Safely June 95
  Frame Sealing
April 94
Frame Sealing: Made Faster, Easier, Safer July 04
  Framing “Traps” March 96
Further Evolution of Edge Strips July 00
A Gilded Fillet, Preservation Style Nov 01
Glazing Choices for Sealed Packages Aug 00
  A Guide to Plastics July 97
  Handling Art on Paper June 99
  Hinge Maintenance Aug 95
How to Avoid Human Error April 04
  How to Handle Paper Art Dec 94
The Importance of Condition Reports Feb 96
Improving the Pass-Through Hinge April 98
Innovative Sink Mounts April 00
  Is Bleach the Answer May 93
Keeping Photographs “Flat”
Dec 00
Laminated Glass Aug 01
Lashed Window Mats Feb 01
  Lessons from Nightmare on Frame Street Oct 96
  Lessons from Nightmare on Frame Street—Continued Nov 96
  Maintaining a Preservation Package At Sea Jan 96
Making It “Flat” Nov 00
  Mat Decoration, Preservation Style Sept 95
  Matte Digital Prints Oct 99
Medium Meets Support Mar 97
Methods for Perimeter Hinges
Feb 03
Micro-Dot Paste Hinging Jan 03
  Mineral Substrates and Media Aug 97
  Model Frames July 94
Monitoring RH in the Frame Shop April 01
More Liner Replacements Sept 98
More on Spacers for Needlework May 04
  Mounting Medals & Other Decorations July 99
Mounting Strips for Overmatted Artwork Oct 98
Nineteenth Century Contributions to Preservation
Feb 00
  Oversized Preservation: Continued Feb 97
  Perplexed by Conservation Sept 94
Pollution Concerns Mar 04
Put It To The Test Nov 97
  Preservation and Our Ancestors Dec 99
Preservation in the Future of Framing Dec 96
Preservation Concerns for Oversized Frames Jan 97
  Preservation Materials Classified May 95
Preservation Problem Solving: Step One Is Recognition Apr 02
Preservation Problem Solving: Historical Precedents May 02
Preservation Problem Solving: Learning From Accidents of History June 02
Preservation Problem Solving: Simplicity Offers Certainty July 02
Preservation Problem Solving: Protecting Items From Physical Impact and Humidity Fluctuations Aug 02
Preservation Problem Solving: Know Your Paper
Sept 02
Preservation Problem Solving: Looking At Proteins, Minerals, Polymers, and Plastics Oct 02
Preservation Problem Solving: Anticipating Challenges Nov 02
Preservation Problem Solving: Two PhotographicExamples Dec 02
Preservation Storage Housing For Objects Aug 03
Preservation Un-framing Oct 03
Principles of Preservation Oct 04
Recognizing Damage: Works on Canvas May 00
Recognizing Damage: Works on Paper June 00
  Re-examining the ‘98 Preservation Supplement May 98
Reinforcements for Support Strips Jan 98
  Rejuvenating Antique Frames April 99
  Rug Presents Pest Problem Aug 94
Safe Short-Term Storage Nov 03
  Safe Storage March 95
  Sloping Spacers: Liner Replacements Aug 98
Stable Foam Spacers Feb 98
  Stable Support for Overmatted Artworks Dec. 97
  Shop Design: Part I Feb 94
  Shop Design: Part II March 94
Static Dispersing Glazing Dec 04
A Stronger Crosspiece for Hinging June 98
Storage Options for Works On Paper July 03
  Stronger Edge Strips Oct 95
  Teach Your Customers Well Dec 95
Textile Storage Techniques June 03
Three Preservation Tips To Share Sept 03
To Glaze or Not To Glaze an Oil Painting? Nov 04
  Ultraviolet Light as a Diagnostic Tool
Nov 99
Unframing Precautions April 96
  The Use of Silica Gel Jan 94
Using Supports Instead of Hinges Jan 01
  When Is Preservation Appropriate? Nov 94
Where Customization & Standardization Meet Dec 98
Which of These Things Doesn’t Belong...? May 01
Who Will Practice Preservation? Feb 04
  Working with Laminated Glass July 98
Working with Parchment July 01
Working with Paste
Nov 98
Works on Paper with Fragile Surfaces Oct 00
   



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